set one
+ derek trucks
11 pm
Golden Road (successfully epic: derek listened deferentially and hesitated even when Zero opened up a big wide space for him)
11:14 ish
Pits of Thunder ("the guitar lesson": kimock went face to face with derek and walked him through the changes up through marteen's
sax solo, it looks like each song is going to get an extra solo or guitar duet)
11:29
Friday's Child (holding up better live than on tape specially when nearly *always* paired after pits of thunder;
huge jam on the tangled up like blue coda)
11:40
Sun Sun Sun (i was just listening to that meters tape eric vandercar made me and realized where
I recognized the opening riffs of SSS from: Fire on the Bayou; after derek's first solo, kimock's
answering unsolo) ->
11:55 (can't read my notes, something like "nick say he never so kimock stomp on that end is he did this time")
You Can't Sit Down (much less organ-based than usual: the guitar duet headed for blues territory right quick,
by the time they're done they're finishing each other's phrases!)
12:08
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set two
12:45
slide intro, M on pan flute
It's Up to You (perhaps encouraged to step in more during the break after being so
deferential in the first set, Derek stomps all ovedr the delicate intro to this song,
though he can't be blamed for not intuiting the melody. sez nick: "ixnay on the olosay")
1:00
bad jokes badly told
Catalina (wrote catalepsis, the solo pattern on every song reinforced)
1:10ish
false Leon Russel sighting in audience jokes
Listen Here (I think about how I've seen this tune done by MFQ, by SKF, by Zero... nice)
1:18
The Weight (I take my first walkabout from the kimock corner position i staked out in
the audience before derek started, check out the old neighborhood - phil's side - run
into tom bockmon, cheerful as always, also digging the onstage "synergy," find the
audience uncrowded minus the philophile old fogeys, the tune is now reminding me of
black muddy river, big finish)
1:35
drums and pan flute ("go zamfir, go zamfir!")->
1:39
Out in the Woods (actually a great arrangement, cracking and roaring with psychedelic
weirdness energy, tension and release, an awesome chip vocal, the leon russel gag
now understood, perhaps i hear it this way after listening to an outstanding version
from the fall east coast tour? knockin' on billy preston's electric piano sound
dooresque sound, hot jam)
1:50
Use Me Up (a song that keeps growing looser and fonkier, with a wonderfully teasing
intro, hits the heights)
2:03
will there be an encore?
2:05ish
Merc'ry Blues
2:17
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